The St James’s Theatre opened on December 14th
1835 with a performance of the burletta, AGNES SOREL. |
 |
In 1846 , an amateur performance of Ben Jonson’s
EVERY MAN IN HIS HUMOUR saw Charles Dickens playing Captain Bobadil;
a reviewer noted "Mr Dickens Bobadil was the best performance
of the night , and a performance of very high merit". |
 |
This was followed in December the same year by an appearance
of one of the earliest minstrel troupes, THE ETHIOPIAN SERENADERS |
 |
In 1850 the great French actress Rachel appeared
in a number of plays including PHEDRE and , for the first time in
England, ADRIENNE LECOUVREUR. |
 |
1875 saw the production of an early piece by
Mr (later Sir) Arthur Sullivan entitled THE ZOO. |
 |
| In 1880, Mr and Mrs Kendal appeared in WILLIAM
AND SUSAN, an adaptation by W.G. Wills of Douglas Jerrold’s
famous nautical drama, BLACK-EYED SUSAN. |
 |
In 1889 the famous Savoyard, Rutland Barrington,
took over the maintenance of the theatre from John Hare and the
Kendals. Theatergoers could not fail to notice the fact. |
 |
His term was not a long one, for in the following year the management
was assumed by Lillie Langtry, the famous ‘Jersey Lily’,
who made her debut there as Rosalind. |
 |
By 1892 George Alexander had taken over and
it was his commission which produced Oscar Wilde’s first great
success; LADY WINDERMERE’S FAN opened at the St James’s
on February 20th 1892. |
 |
In the following year, Pinero’s THE SECOND MRS TANQUERAY
caused an outrage and was a triumphant success for Mrs Patrick Campbell
in the title role.
|
 |
1895 saw the full flowering of Wilde’s
genius in his immortal comedy, THE IMPORTANCE OF BEING EARNEST. |
 |
Historical costume dramas were a popular staple of George Alexander’s
reign at the St James’s; IF I WERE KING is a typical example
and was later made into a film with Ronald Colman. |
 |
Bernard Shaw’s ANDROCLES AND THE LION had its first British
Production at the St James’s in September 1913. |
 |
J.M.Barrie’s PETER PAN was first produced at the Duke of
York’s Theatre in 1904. Over the next 94
years it appeared in many other theatres, including the St James’s
in 1920 and the Royal National Theatre in 1998. |
 |
In 1929 Alfred Lunt made his first appearance
on the London stage with his wife Lynn Fontanne in the Theatre Guild
production of CAPRICE |
 |
The Group Theatre, New York, came to the St James’s in
1950 with Clifford Odets’ play GOLDEN BOY with Luther
Adler as Joe bonaparte |
 |
Laurence Olivier took over the management of the theatre in
1950, opening with Christopher Fry’s new play, VENUS
OBSERVED |
 |
For the Festival of Britain in 1951, Olivier
produced Shakespeare’s ANTONY AND CLEOPATRA and Shaw’s
CAESAR AND CLEOPATRA, with himself and his wife, Vivien Leigh in
the title roles. |
 |
In spite of a vigorous campaign conducted by Vivien Leigh and
Laurence Olivier, the theatre closed in 1957 with
a play called IT’S THE GEOGRAPHY THAT COUNTS. At the final
curtain on July 20th, its leading actor, John Gregson stepped forward
to say "In this historic, beautiful theatre, the scene of so
many great successes, you share the awful distinction of being in
at the death. The talk has now become a grim reality. It should
never have been allowed to happen. I want you to make a resolution
in your hearts that such a thing shall never happen again" |
 |