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Although the collection is primarily concerned with British theatre, our
files on playwrights represent the international nature of theatre and
the influence which playwrights from other countries have had upon our
own theatre. So here are just a few familiar and perhaps not so familiar
names and faces.
| Alan Ayckbourn (Photo
by John Haynes)
Alan Ayckbourn is probably our most prolific and successful contemporary
playwright whose work is seen throughout the world. Nearly all his
plays have their first production in the Stephen Joseph Theatre
in Scarborough, Yorkshire, where Ayckbourn is the artistic director.
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| Aphra Behn
Probably the first woman to make her living by her pen, Aphra Behn
is probably best remembered for her comedies, particularly THE ROVER.
However, the political and sexual issues she raises are serious
ones about the place of women in Restoration society and sexual
equality and freedom. |
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David Belasco
David Belasco was probably as comprehensive a theatre practitioner
as could be – actor, stage manager, pioneer of stage lighting,
director, playwright, manager – Belasco did them all. He also
discovered Mary Pickford. Unfortunately we do not know the name
of the other gentleman in the picture, so any help would be greatly
appreciated. |
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Maxim Gorky
Perhaps not one of Russia’s greatest playwrights, Maxim Gorky’s
plays tend to deal more with social and political issues than the
humane and more philosophical lives of Chekhov’s characters.
Best known for THE LOWER DEPTHS, several of his other plays were
given a fresh life in the 1970’s by the Royal Shakespeare
Company. |
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Henrik Ibsen
Henrik Ibsen is undoubtedly one of the most influential playwrights
of any period. His explorations of the parochialism and corruption
of small town life and society, his revelations of the psychology
of his characters and his sense of theatrical architecture have
all been profound influences on those who followed. |
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Victorien Sardou
Victorien Sardou and his mentor, Eugene Scribe, were the prime exponents
of ‘the well made play’ which provoked the theatrical
reaction which resulted in the plays of Ibsen, Shaw and many others.
Apart from DIVORCONS (LET’S GET A DIVORCE), most of Sardou’s
plays are forgotten or perhaps beyond our present resources; ROBESPIERRE
at the Lyceum had 69 speaking parts and over 250 supernumeraries!
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Oscar Wilde
Of the many Irish writers who have made such a great contribution
to the English speaking theatre, it would be difficult to deny Oscar
Wilde pre-eminence. His wit, love and mastery of language and sense
of form found their apotheosis, of course in THE IMPORTANCE OF BEING
EARNEST.
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Israel Zangwill
An almost forgotten name, Israel Zangwill could rightly claim to
be a cockney born within the sound of Bow Bells. His novels laid
open the secluded life of the Jewish communities hidden in the poorer
quarters of the European capitals. His earlier plays such as THE
MELTING POT tackled vast themes, whilst his later ones such as WE
MODERNS dealt with lighter themes in a satiric spirit.
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